Easy as A, B, C . . . from BB
At times in the past, I have modeled characters’ looks, fashion sense, even personality on unknown models in magazines. I’ve even cut them out and then built characteristics for that person on the same page or on a 4×6 card. Or I’ve envisioned an old time actor (or a current one, for that matter) as my “hero,” “villain,” “sidekick,” or whomever.
I’m going to suggest another way to utilize pictures of unknowns from magazines or books to help your writing (and the above paragraph has some good ideas too: if you’ve never tried it, give it a go and see what you think). Look through a magazine or illustrated book, preferably one you haven’t read already, or an old one you’ve forgotten all about. Find a picture with at least two main “characters” on it. THINK of these two as major characters in a story you haven’t yet thought through.
Just allow them to begin interacting with each other. Don’t “plan” ahead (this will be a good one for all of us ‘pantsers’), because this is designed to give us practice in a more “organic” method of plot construction. Just start “recording” the story’s events and let them spin out in front of you. Pay attention to other props or objects that appear in the ad or picture. If there are other people in the picture, ignore them for the moment. See how or why the two might interact with the props, objects, bits of scenery, in the picture with them. Record items and events as faithfully as possible without thinking about the “rules” of story plot structure.
Once you’ve recorded the scene, note whether your characters interacted with or used any of the props, etc., given them by the picture. What did they do with items there? Twiddle nervously with papers on a desk? Pick up a coffee cup and look for a refill? Grab a hammer or bucket of paint, intending to use it as a weapon?
How did your characters interact with each other? Were they friends or strangers at the start? What relationship was forged during the scene: adversarial? Conciliatory? Pleading? Helpful? and so on.
Go ahead. This is just a writer’s PLAY ground. Have FUN in it ! ! !
(And, at the end, is there anything salvageable there? Can it be incorporated in your current WIP? Is it the beginning of a short story? An article? An editorial? A children’s book? Even a brand‑new novel?)
See you next for Saturday’s Spellbinder!
Thinkin’ on Thursday: Starting Over — in the Middle!
Easy as A, B, C . . . from BB
Just after the first of the year, Brian Klems (on‑line editor for The Writers Digest) threw out a quote by Joyce Carol Oates: “The first sentence can’t be written until the final sentence is written.” I sort of nodded in affirmation and moved on. Only later did I really start to think about it. I’ve written here before that I am now more convinced than ever (note: that was well after the succinct Oates quote should have given me pause for thought) that I should start writing and write to the end before letting anyone read, comment or critique what I have.
Now, if I could just convince myself to do it, instead of rewriting the first chapter, then writing a little more; rewriting the first three chapters, then writing a little more; rewriting the first 5 chapters, then writing a little more. As a result, I’ve covered the south end of my dining table with two Girl Scout cookie boxes (they’re the perfect size for filing) — full of papers, and a pile of 4 full loose leaf folders, the contents of which are critiqued, or not, and include multiple versions of several chapters, on my “current” WIP. When the boxes were full, I just piled more on top of them. Well, only a little more. About three inches worth. Each.
Oh, I have written the last chapter. And I love it. I just wish the eight or so before it were finished too!
What was I thinkin’?
Well, I guess I wasn’t. Thinkin’. Fortunately I went to the WIFYR class taught by Cheri Pray Earl: The Muddled Middles. Well, mine wasn’t exactly the middle — but pretty close.
I am going to start over . . . on chapter 17 (or whatever it happens to be). Again. I’ll fill in that gap in the story. Then I’ll examine everything, one chapter at a time, beginning to end. Then I’ll write (or rewrite) Chapter 1.
DONE ! ! !
See you next on Saturday’s Spellbinder!
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