Easy as A, B, C . . . from BB
Did you try it? What??? Writing tense, exciting, possibly even mayhem-filled chapter endings?
This past Tuesday, I suggested that you do so and gave you examples of several books which used this technique to carry you past the last line of a chapter and into the next chapter — whether you wanted to go there or not!
I also quoted a number of ideas which ending each of many chapters in his The Maze Runner trilogy by James Dashner. This set was literally a group of three books you could not put down at the end of a chapter. And THAT’s how to keep your reader, well . . . READING!!!
Here are more of Dashner’s examples ‑‑‑ but hopefully, no spoilers. I’ll name several types of events at chapter ends — not in order and not telling you which of the three books they’re from. Additionally, I’ll keep them as general as possible. Think about what you can dream up to do to your characters that will hurt them the most, that will keep the reader going, even if it IS time for dinner, or bed, or (maybe) even homework! If you end each chapter with ideas like these, you may have a real page turner, or even that page burner:
- a kid wakes up, in a huge “elevator:” NO memories of any past life (I know, I gave this one Tuesday too, but I sets the stage)
- a kid fighting a losing battle with a mechanical monster is caught in a lightning storm which morphs into an invisible power field leaving him vulnerable to a white heat
- a kid is promised a place of safety, but when a group gets there, they are met with only a sign that this is the right place: nothing else is there.
- a kid is told that all current test subjects may be given their memories back; they must choose to participate or not; then choice is taken away
- a kid discovers a small insect‑like device which spies on all of them in this strange place — meaning someone is watching them, probably 24/7
- a kid in the midst of battle is hit with a burning power equal to 1,000 bolts of lightning, falls convulsing and with a total loss of vision
- a kid finds out survivors have to go back to the beginning where they all met, were challenged, tortured, intimidated or even killed
- a kid is frequently dazed by a rapid changing of loyalties among friends: who can he really trust?
- a kid, after horrendous battles and fatigue, is warned in a dream state that things are “about” to get bad for him
- a kid sees that everyone who’s been here for a while picks on the newbies ‑‑ even a sweet little kid who becomes his only friend
- a kid is made to choose which of two friends will die immediately: he chooses, knowing the enemy will do the opposite — only he doesn’t
- a kid is attacked, seriously injured by another boy who seems to have gone completely crazy
- a kid, in an audience of survivors, is told that the rampant disease affecting and eventually killing much of the population also affects many of their number
- a kid notices frightening sounds and smells, confronts a mechanical monster with the fate of another boy in his hands
If you didn’t try to write compelling chapter endings before, get to it!!! (And how do you accomplish this kind of angst in romance? Or fantasy? Or historical? Etc., etc., etc.?)
See you next for Spellbinder Saturday!