The End‑of‑April Last DAILY Prompt (at least for a while- See the last note): Think of three quite different emotions. Imagine which one of your characters might feel all three of those emotions within a fairly short time period. Write a scene which shows the character flipping from one emotion to another, and possibly even back again. Does s/he then come across as a person who has “flipped out,” or one who is displaying expected and rational feelings? Which of those ways would you most like your reader to think of your character? Just have fun with it!
YES! I DID IT! Disgust, Desire, Fear — I’ll take these three. My MC, an early 30‑something male, wakes up at mid‑day from a nightmare and looks around his habitation: it is cluttered and filthy, and it’s all his fault, as he lives alone. He walks outside and takes a short break from his filth, as well as a drag on his last remaining cigarette, and slips psychologically back into a dream‑state, only to see a luscious, though imaginary, woman — with wings! She’s teased him with her presence before. He wants her — too bad she’s doesn’t seem to be real. He dismisses the idea of trying to find a “real” woman like that. In the next moment, a screeching and mewling, as if of a hundred cats, assaults his ears. And the sound all seems to emanate from his upstairs window. In spite of his terror, he runs back into the house, to find the reality: his pathetic and dilapidated apartment is full of cats — some of them hurt or mutilated. And they blame him and begin to attack, wave upon wave.
He moved from disgust with his life style, to desire for a phantom woman, to fear of the cats. I think most readers would believe him to be a rather reprehensible person, but not one who has “flipped out”. Women readers, in particular, might find his life style disgusting and lazy, and might be disgusted at his interest in the “desirable” winged creature, but his fear of the cats would certainly be understandable. I think male readers could more easily imagine themselves in a position such as his, and might feel a trickle of fear (at least FOR him) as the cats attack. They might sympathize to some extent.
OOooo! I liked the idea of combining several emotions, and writing a scene where a character had logical reason to feel one the other without seeming crazy or out of touch with his reality . . . Okay, it’s a given that HIS “reality” is NOT Reality. But the EVENTS themselves seem even crazier than he does.
(Feel free to re‑use my prompts, modified to YOUR specifications ‑‑‑ I “stole” them too from Carol Lynch Williams, AnnDeeCanDee, Cheryl, The ABC Writers Guild and others . . . )
WRITING PROGRESS REPORT:
And for my April 30 Minimum GOAL: 1 hour (this should have been a “clear” day, and therefore a 2‑hour goal day, but family circumstances dictated otherwise, sometimes that happens) so — YES! I DID IT! I worked on finding “order” among the events of this very convoluted story I’m writing. Part of that is in re‑doing parts of it, more or less like the Prompt I gave some time ago about creating a SITUATION, and then coming up with COMPLICATIONS within the situation. In fact, I think I’ll do even more of that with the rest of the story as well.
Note from Herb: As many of you know (and some may not) I do not write the blogs. I just post them. Brenda (BB) is the main engine on this enterprise. I have written a few in the past, but this month has been all her.
We’re getting ready to go on vacation, but we will be posting periodically while we’re gone. There isn’t a set schedule at this time or even a set format. We’re open to suggestions. How about a Throw Back Thursday where we republish one of the more popular blogs from the past two years? A weekly or every other weekly book review? Let us know what you’d like to read about.
Tips on Tuesday: Filling the Well
Easy as A, B, C . . . from BB
When I taught full time in Utah’s high schools, I would be completely drained by the end of the school year — my experience is that most teachers were the same. Often I was the drama director, the debate coach, and I taught several English classes, or Special Ed., or Humanities, or . . . whatever. I was usually lucky enough to be able to sleep through most of June.
But eventually I woke up. And, while not sleepy, I still felt drained. All my creativity, my get up and go, had gotten up and GONE . . . What I needed then was more sustenance. I needed to fill up my well to even think about heading into another school year. Sometimes, I had classes I needed to take. Always, I tried to catch up on some reading. And ALWAYS, I turned to theatre. Theatre where I wasn’t “in charge.”
I went to Logan for the Opera Season. I went to Cedar City to see the 3 Shakespearean shows of the year, and the three plays or musicals they presented in that same season. Then I found out about the original play program. Writers would submit new original play manuscripts. They were read by Fred Adams and a few of his cohorts, and, generally, three scripts would be chosen to be produced as “play readings.” Well into their season, in August, they would have author #1 come to Cedar City for a week, see a staged reading of his or her play, listen to comments from the professional actors and the director, often do a lot of re‑writing, and by Friday, see another staged reading with an audience. The audience was then included in the critiquing.
During the second week August week, playwright #2 would go through the same routine. In the third week, playwright #3 would appear. As a “final” performance, during the fourth week in August, play numbers 1, 2, and 3 would be performed again on Wednesday, Thursday and Friday.
In time, this became my favorite time at the Shakespeare Festival. To be a part of the collaborative effort to give birth to three new, original plays was generally the highlight of my summer. I would return to school with new ideas, new plays to contemplate, plus all the “old” standards. And I would be excited to share what I’d learned over the summer with my next group of students.
As writers in a solitary, and often lonely world, we need to renew our energies as well. When you’ve given all you can to the story which is broiling in your mind, it’s time to re‑call and re‑fine that excitement. I call that “filling the well.”
How do you “fill the well” when you feel you’ve run dry? I think all writers write and read. But what else? Live theatre and live interaction with real people of a like mind do it for me. What ideas do YOU have to fill that well? Please share in comments — we all need some new well‑filling ideas every now and again!
See you next for Thinkin’ on Thursday!
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